From its thrumming and intense opening, it is apparent that Wrath of Man is not a typical Guy Ritchie film. Rather than an expectation of intricacy and cleverness, we are drowned in a grim foreboding that, whatever happens, all will not be OK.
Ritchie’s cinema is known for its jazzy, bopping rhythms, its dynamism and vitality, its sharp dialogue and sharper editing, with multilayered plots that require retelling the entire film to explain properly. The…
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